THE SLEEP SOLUTION by Chris Winter

“This book is meant to be read like a sweeping novel. It is not a reference book. I do not want you to skip ahead to the part of the book that you think is most important for you. It’s all important! – Chris Winter

Thomas Carlyle once asked: “Does the boxer hit better for knowing that he has a flexor longus and a flexor brevis?” That is, while scientific knowledge is necessary to science itself, is the understanding of this knowledge worth more than a bit of trivia to someone developing a relevant skill or ability? And to what extent is physiological and biomechanical knowledge useful to an athlete vis-à-vis the development of his competitive prowess? Does knowledge truly improve his athletic intuition, or is it largely unnecessary to the development of the skill?

I make this point to address one of the fundamental woes of people attempting to improve their sleeping habits: to what extent does scientific knowledge of sleep affect the layman’s ability to sleep well? The public at large may have a passing idea of the importance of the known science of sleep – there are stages like REM and NREM, we all have something called a circadian rhythm, sleep is good for our health – and so on. Yet if we want to improve our ability to sleep – for sleep can be properly understood to be a skill – can we practically utilize these facts? Or do we require the consultation of other schools of thought – namely, psychology – to translate this information into something practical? To utilize the scientific and psychological foundations towards improving the skill of sleep, we can turn to Chris Winter, who succeeds in providing the best of both worlds in The Sleep Solution.

The Sleep Solution was published in 2017 by Chris Winter, a sleep specialist who is board-certified in both neurology and sleep medicine. It is an interesting book. There are many great and uncommon insights throughout the work and the author may largely succeed at re-inventing the way most people think about sleep for the better. Unfortunately, he occasionally leans too heavily into what it means to write a ‘layman’s’ book, and while he does have an excellent sense of humor, his style can mar the making of a great point and argument. Winter takes a bit too long to hit his stride, but when he does, he largely triumphs at his intention at providing a “solution” to most woes, and his intelligent application of the principles of Cognitive Behavioral Therapy in the fight against insomnia earns the work its right to be titled so.

The solution itself is both the forest and the trees. It is the book itself, the sum of its parts, but the different parts have different sizes and values – and some certainly stand out as flashes of brilliant reasoning over the rest. The work is divided into two parts and features a literal intermission chapter, and while the purposes of the first and second half cross over into one another, they are largely distinct. The first half is primarily concerned with communicating the scientific foundations of sleep, while the second half represents the bulk of solutions.

Winter sets the crucial scientific foundations in his early chapters. Within the first chapter, titled “What is Sleep Good For? Absolutely Everything!”, he details the relationship between sleep and: the brain’s function, obesity, blood pressure, mood, cancer, and the overall immune system. He continues part one to break down the primary drives of the body, the stages of sleep and the circadian rhythm. He also provides a chapter to make an interesting distinction between sleepiness and fatigue, emphasizing that these are distinct terms, but people often mistakenly use them interchangeably. My intention is not to gloss over these vitally important foundations, for Winter does present various solutions within these early chapters – but these foundations are largely common knowledge – and while they are necessary points, they are not the point of the book.

To start the second half, the author places particular emphasis on common-but-crucial bits of sleep advice to make a point: if you are not respecting these facts, further advice is unlikely to do you any good. In the chapter Sleep Hygiene, he focuses on knowledge that would be familiar to anyone who searched for sleep advice in the past. You ought to keep your bedroom dark and respect the bed as the ‘landing’ for the end of a day. Avoid the light from electronics. Exercise in the “melatonin suppressing sun.” If you must eat near bedtime, then eat foods with tryptophan, melatonin, or those with a high-glycemic index. Be wary of your vices. Nicotine and caffeine are stimulants and should be avoided in the hours before your bedtime, albeit by now you know to avoid the former regardless of circumstance. His points on alcohol are particularly interesting, as while many people consider it a positive sleep aid, Winter counters by clarifying the distinction between sedation and sleep. Alcohol is a sedative, but being sedated does not necessarily translate to good sleep, as Winter points out: “… what’s not disputed is the mess alcohol makes of the second half of your night as the alcohol is metabolized. Ever wake up about four to six hours after a binge and find it absolutely impossible to go back to sleep? It’s like an amazing Caribbean cruise that ends with your boat sinking. Is there anything in the first half of the cruise that could compensate for the soggy ending?” Alcohol may have calmed you and aided in letting consciousness wane, but that is not the same thing as a good night’s rest. 

While I have said the solution is largely the entirety of the work, its major theses come out in the chapters Insomnia and Hard Insomnia. His approach is largely to assist you in thinking as clearly as possible at sleep. After some insightful deconstruction of the concept of insomnia, Winter concludes with the following definition: “Insomnia is not when an individual can’t sleep. The true definition of insomnia consists of two components: 1. A person is not sleeping when she wants to sleep. 2. The person cares, and usually cares a lot, about not sleeping, whether or not she wants to admit it.”

He chooses the words “can’t sleep” to make a point that recurs throughout the book, with this quotation appearing in the second chapter: “They [insomnia patients] are sleeping; they just don’t perceive their sleep effectively. In other words, their assertion of not sleeping is just plain wrong. The medical fact is, we all sleep. It’s a primary drive. The body insists on it. So the first thing I need to tell you if you are one of those people who “never sleep” is this: You need to accept one simple fact, or you will be doomed to struggle with your sleep forever. YOU SLEEP.” At first glance, this may feel like a petty, merely semantic hill to die on, but Winter is here utilizing Cognitive Behavioral Therapy to make a point that is anything but petty.    

Anxiety is overwhelmingly cited as the most common cause of insomnia, and one of the greatest tools psychologists have conceived to combat anxiety is Cognitive Behavioral Therapy (CBT), and Winter’s major solutions utilize this form of therapy. One of the main concerns of CBT is the nature of sentences we tell ourselves. This school of thought stresses that we often fail to distinguish between truly innocent hyperbole and the unhealthy, exaggerated sentences we tell ourselves. Albert Ellis, one of the pioneers of CBT, refers to these latter sorts of statements as “catastrophizing.” Instead of recognizing of something as “unfortunate,” it is “awful.” Instead of recognizing something as “difficult,” we say it is “impossible.” These latter terms are far more anxiety-inducing than their former counterparts – and this is the crux of Winter’s point. When he wants you to stop saying you “can’t sleep” and to understand “you sleep,” he is gravitating the reader to a far less catastrophizing idea. He points out that patients refer to their insomnia as “terrifying,” that they feel “helpless.” This is why, psychologically, it is crucial to understand that you do sleep.

In the second part of the definition, “The person cares, and usually cares a lot, about not sleeping…,” he is referring to the unfortunate, anxiety-ridden cycle people get themselves into about sleep. They have put so much mental pressure on themselves to sleep that they are unable to fall asleep easily, worrying “…their productivity will suffer at work or they will feel exceedingly bad during the day. Their anxiety about the consequences of not sleeping ratchets up to fear…” He counters this by arguing “bad sleep is much more dangerous in your mind than it is in real life.” Occasionally getting insufficient sleep is an inevitability of life – but obsessing over these nights and believing you were dysfunctional because of poor sleep is what leads to these vicious cycles of restless nights. Regarding what patients irrationally think about sleep, Winter says: ‘“When I don’t sleep, I can’t function.” Cognitive therapy would say, “You woke up, you taught your third-grade class, you went grocery shopping afterward, and while you didn’t make it to the gym, your day was not dysfunctional.”

Winter differentiates between simple insomnia and hard insomnia. Simple insomnia is so named to “…reinforce the idea that it’s just that. Simple. Harmless even. Most likely the cause is staring you in the face. I put this section in the book so people who develop simple insomnia can learn to recognize it early and nip it in the bud before it becomes hard insomnia and more difficult to treat. Simple also implies optimism.” Hard insomnia, however, is far more difficult to wrangle with. Hard insomnia comes about after dealing with sleep issues for many months on end, wherein poor sleep and insomnia have become part of the patients psyche and identity. “I’m not saying that they are traumatized because they aren’t sleeping. What I’m saying is that the presence of hard insomnia for years and years is itself traumatizing.” These patients are so damaged that they fail to be objective about the reality of their sleep, which leads Winter to make a distinction between sleep identity and sleep quality – the necessary implication being that these do not always align, and this misalignment is a primary characteristic of hard insomnia patients. He summarizes this problem: “To feel poorly, you don’t have to sleep poorly (or sleep too little); you just have to believe you do. This too was seen in studies. Good sleepers with high distress functioned more poorly than good sleepers with low distress. No surprise there. What was surprising was the high-distress poor sleepers functioned similarly to the high-distress good sleepers. This seems to give some insight into the “dysfunction” seen in some insomnia patients. The dysfunction is more tied to the patient’s view of her sleep quality (and the resulting stress over it) than it is to her actual sleep!”

His conclusion is to largely condition yourself to care less about sleep: “When you talk with good sleepers, they all have a flip-flops-and-Hacky-Sack mentality toward their sleep. “Whatever, dude.” Within them is an inner belief that they are basically going to be okay no matter what happens that night in bed. This is the mentality you must find, or you will be doomed to struggle forever.” There are far more solutions contained within the book than I have communicated, but Winter will frequently stress that it is absolutely worth consulting a professional if (and especially if) the book was unable to resolve the reader’s woes. While insomnia as anxiety is the most frequent cause of sleep disturbances, Winter does his diligence to make the work definitive. His concluding chapters discuss sleeping aids and medications, sleep schedules, naps and the medical (as opposed to psychological) conditions that can incite sleeping problems.

I have not said much of his style, but it is worth concluding with as it is one of the most distinctive qualities of the book. Winter is eventually charming, often downright hilarious, but his sense of humor occasionally interferes with the making of a point. “All of this talk of poor sleep, heart failure, Alzheimer’s disease, and not fitting into your favorite jeans is a super downer. Want something to help brighten your mood? Try sleeping. Seriously.” Amusing enough, but this quotation from the first chapter appears before any inkling of a solution is offered – that is, the reader is first introduced to Chris Winter, the comic, long before they meet Chris Winter, the insightful sleep researcher. If he wants his early quirkiness to be tolerated because of his credentials alone, he should remember how many doctors with similar credentials he dismisses throughout the book. Yes, the chapter is detailing various studies on why sleep is so important, but for the first half of the book Winter struggles to elevate himself above someone merely with access to Wikipedia. In Insomnia he writes: “But bad sleep is much more dangerous in your mind than it is in real life.” Then why are these mortal conditions associated with poor sleep, such as cancer, detailed in the beginning? It would not be so hard to do away with this contradiction, either by eliminating the sentence or by qualifying this statement further, but Winter fails to address this Gordian Knot and leaves it largely untouched. So too have I framed his early Cognitive Behavioral Therapy points better than he did, and his introduction of those points does read like a petty semantic battle. If this book undergoes a second edition, which it arguably requires, Winter should restructure much of what appears prior to the intermission. Do not misinterpret my meaning here – Winter does have a brilliant sense of humor. I would not suggest he “tone it down,” but rather be more critical of when to joke and when to communicate clearly. The Sleep Solution has the potential to be an icon of the self-improvement genre, these sloppy weaknesses hold it back.

Despite the preceding paragraph, I nevertheless recommend reading it. Winter has taken a profound approach to the subject and makes the bold decision of embracing uncomfortable truths. As anxiety is overwhelmingly the number one cause of recurring sleep issues, it is the patient’s or reader’s identity that must be coerced to change if their sleep is to improve. The book will likely succeed improving the sleeping habits of every reader to some degree, and where it may fail it nevertheless informs as to how to think more clearly about sleep in general. As per the recommendation of the author himself – if the methods and points made in The Sleep Solution are not enough to get you on the right track, it is likely time to consult a specialist in person.

THE SECRET LISTENER by Yuan-tsung Chen

“But like many dreams of many Chinese people, mine was crushed, such that, in order to protect myself from becoming the target of an ongoing political campaign, the Anti-Rightist Purge, one that had already claimed my friends and colleagues, I burned my manuscript and scattered its ashes, like one does after a cremation.” – Yuan-tsung Chen

In Faust, Goethe wrote that “sons must win anew their fathers battles” – people cannot merely rest on the victories and knowledge of their ancestors. Wisdom is not easily imparted, and it is something of a tragedy that lessons must be relearned again and again by each succeeding generation. Yet humanity still stands on the shoulders of giants, with every generation desperately trying to communicate what wisdom they have gained to the next in the endeavor to save them from so much pain, grief and error. Yuan-tsung Chen aims to do just this. Having personally survived Mao’s Great Purges and Cultural Revolution, she is observing history being both repeated and wiped away.

To do her duty against this cyclical tide, she produced her autobiography, The Secret Listener: An Ingenue in Mao’s Court. While she considers the book a life-long work, China’s Cultural Revolution forced her into delays, and she only recently ensured its production in lieu of the recent Hong Kong protests. Yuan-tsung Chen was born in Shanghai, “then the Paris of the East,” in 1929. Through her father’s connections, then later prestigious marriage and positions in the Communist cultural ministry, she was able to see behind the curtain of the many devastating acts of Mao Zedong’s regime.

Chen discovered an early passion for literature and film and envisioned herself as a writer at a young age, but she mistakenly believed she would be a lucky exception and be permitted to thrive in Mao’s China: “Yes, the Communists were well known for killing creativity, but my siblings made me believe that I could succeed where others had failed.”  This dream is especially shattered when she sees Hu Feng, a renowned critic, stand up to and later be persecuted by the regime. She learns that little of what can be considered art is permitted, for it wasn’t merely writing that was suppressed, but film as well: “Film, with its mass appeal, was considered the most important propaganda tool, and to be ideologically correct every film had to be based on an ideologically correct script.” These principles came from Mao’s talks in Yan’an in 1942: “The unaltered principles were that (1) all art should portray the revolutionary masses and (2) all art should advance the cause of the socialist revolution.”

She eventually moves to Beijing and takes a position at the Central Film Bureau. At one point during her career there, a man accused of being a spy rapes a woman. The victim is later interrogated for her relation to the supposed spy and is forced to relive the moment again and again. Chen consoles the woman – which, in China’s Communist culture, naturally places herself in danger as well. Her boss discovers this ‘incident,’ and he informs her that her life is indeed in jeopardy and that she desperately needs “political capital” if she is to survive. Chen is then relocated to the northwest, where “For the next six months, my job was consciousness-raising among the village women. With a burst of oratorical fervor, I encouraged them to fight for their own rights, land, and equality. I expected them to roar back in approval. To my disappointment, they drifted away as if having watched a street performance they couldn’t quite comprehend. Everything was predestined, all their hardships and oppression. Dynasties changed again and again, but poor people remained poor. This was a mandated truth from heaven.”

Later, she is taken to an opera as a date with a well-connected man – so well-connected that the pair is seated next to Zhou Enlai, the man who was effectively Mao’s ‘number two,’ serving as China’s first “Premier” – or Prime Minister. While her conversations with Enlai are brief, she notices how different his private nature is from his public persona. Shortly after, she is invited to watch a debate between Mao and Liang Shumin – a debate that much of China was eagerly awaiting as it will inform what the political climate and future of their government will be. While it is initially civil, Mao gradually loses his patience and explodes at his opponent. In the months to come, the debate and further prosecutions are revealed to have confirmed the populace’s fears: “…Its purpose was to warn us that from now on there will be zero tolerance for dissent.”

But in 1956, three years after the debate, it appears that the opposite is true, and Chen discovers she may finally write in earnest. Unexpectedly, Mao and the party had created a new policy titled “Letting a Hundred Flowers Bloom and Letting a Hundred Schools of Thought Contend,” more commonly referred to as the Hundred Flowers Campaign. Chen writes: “It affirmed the principle that people should have full freedom of speech and expression, that they should be allowed to criticize the Party, to point out its shortcomings, and that there would be no more crackdowns on dissidents.” Her friends and colleagues debate the earnestness of the campaign, cautiously celebrating after hearing that they will soon even allow non-Communist publishing houses to open. In 1957, Chen finishes her first manuscript for a novel, wherein a teenage protagonist has doubts about Mao’s Yan’an talk and its principles. She sends the manuscript to her sister, who sends it to a publisher in Shanghai. At long last, Chen was able to realize her dream of being a writer.

So she thought. The Hundred Flowers Campaign is soon revealed to be a trap: Mao had used free speech as bait so that his enemies could be identified, and his real purges could begin: “Once they had exposed themselves, Mao had said, he would strike back at them so fast and hard that they would have no time to realize what was happening.” The Anti-Rightist Campaign, as it is historically called, is initiated and claims at least 550,000 casualties. Mao believed that “counterrevolutionaries comprised 5 percent of China’s population, and as his purges picked up steam, that number came to be treated as sacred. It became a quota, a target to be reached by party officials as they ferreted out counterrevolutionaries, to be exceeded for extra credit.” With her critical manuscript in a publisher’s hands, Chen’s life is in grave danger.

She burns all that remains of her writing still in her possession and, for the near future, manages to elude becoming a victim of the purge. Chen marries in 1958, but she and her husband are sent to live in slums as punishment for her husband’s elite status. It is there that she recounts her experiences of going to great lengths to smuggle a mere pig, buying mutton on the black market and witnessing the effects of the Great Leap Forward’s famine firsthand. She eventually conceives a new dream – to flee to Hong Kong. It is only finally in 1971 that she and her husband are able to escape. Chen largely remained in Hong Kong through the present day, though she briefly immigrated to the United States, working as a library assistant for the University of California. It is during her time there that she found the connections to publish this book through the Oxford University Press.

There is, naturally, a question of memory. Yuan-tsung Chen is recounting these memories decades after they have transpired. Dialogues and conversations are relived so long after the fact, leaving the reader to ask to what extent it reflects reality. Are they to be taken seriously at face value? Or – is that the wrong question? Is casting too much doubt effectively blaming the victim? To have written “truth” during Mao’s reign was a death sentence – or worse. The modus operandi of 20th century Communist nations was to ensure anything that contradicted government propaganda was severely punished with imprisonment or death; it was the talking points of the party that were to be accepted as truth and historical fact, not lived experience and reality. While she may have escaped and survived the purge, Mao’s legacy nevertheless claimed countless victories by coercing writers like Chen to reduce their record to dust.

On June 30 of 2020, China unanimously passed the National Security Law, a broadly termed, vague decree that effectively allowed the government to grant itself power to arrest whoever they please. The law enables China to arrest and punish any and all who “endanger national security” – a concept left broad enough that anyone who is critical of the Chinese government can be imprisoned. Arrests were made for owning a flag or t-shirt. Journalists, lawyers, academics and activists were charged and thrown into prison. Using or possessing an item that bears a ‘dangerous’ slogan such as, in the eyes of China’s government, “Liberate Hong Kong,” is a prosecutable crime.

In the face of China’s whitewashing of its history, and its repetition of its worst, tyrannical qualities, Chen wants to make a stand: “All my life I have been waiting for China to be allowed to face its Maoist past bravely and unflinchingly, and especially to restore the humanity of its victims. But rather than allow the faces of the past to reemerge, the Party authorities are further obliterating them… To me, this is personal, not abstract. I went through the purges. I witnessed events up close.”

THE LAST QUESTION by Isaac Asimov

“The question came about as a result of a five dollar bet over highballs, and it happened this way…” – Isaac Asimov

It is nearly an obligation of our human consciousness to, at one point or several, individually attempt to wrangle with the “big” questions: What is the meaning of life? Is there a God? What happens after death? How does it all end? Isaac Asimov’s The Last Question stands as one of the greatest short stories for its profound exploration of this last example. By utilizing the progress of scientific understanding from the past century to give clearer language and significance to the question, Asimov provided an iconic story about humanity’s attempt to comprehend the end of everything. 

The Last Question is a short story published in 1956 by Isaac Asimov, first appearing in the magazine Science Fiction Quarterly. Its length – just shy of 4,500 words – is no reflection of its ambition. Asimov set out with a thesis and goal, as he writes in his introduction, of wanting to “tell several trillion years of human history in the space of a short story…”

The story itself features seven distinct eras, wherein different people (and later, something far beyond human) address the Multivac – a supercomputer-to-end-all-supercomputers. It changes name and form throughout time – but its function remains relatively constant. It is fed data, is “self-adjusting and self-correcting,” and has evolved from largely solving mere flight trajectory problems to being able to “answer deeper questions more fundamentally…”  Its processing ability grows alongside the flow of time, evolving from the Multivac to the Microvac, to the Galactic AC, the Universal AC, the Cosmic AC, until finally “Man’s last mind fused and only AC existed — and that in hyperspace.”

The last question itself, “asked for the first time, half in jest, on May 21, 2061…” is this: “How can entropy be reversed?” The question comes about organically from two attendants of the machine who begin debating the problem of entropy and the meaning of forever:

“Oh, hell, just about forever. Till the sun runs down, Bert.”

“That’s not forever.”

After exhausting the conversation to the best of their (inebriated) ability, they decide to consult the Multivac. When asked the last question, the Multivac responds – “INSUFFICIENT DATA FOR MEANINGFUL ANSWER.” Asimov’s story then takes us across exponentially increasing oceans of time, wherein the Multivac is asked the last question again and again, and despite millennia to learn and evolve more and more, its answer is the same – until the conclusion.

Asimov called this work “by far my favorite story of all those I have written.” It has enjoyed considerable fame – so much so that people will often consider any “greatest short story” list incomplete if The Last Question is absent. Alexa, Amazon’s virtual assistant, and Wolfram Alpha, an online computational knowledge engine, both quote the Multivac/AC when queried “How can entropy be reversed?”

What makes the story so exceptional? With the relatively recent discovery of entropy, the author made the brilliant connection to translate “How does it all end?” into “How can entropy be reversed?” – that is, the latter question is a logical evolution of the former, rephrased based on the progress of scientific knowledge. By translating this into a narrative, one that showcases humanity’s attempt across eons to understand the nature of the universe and its finitude across time, Asimov gave form and feeling to a fundamental question of existence.

But its ending and conclusion is not without hope. Long after humanity’s disappearance, after matter, energy, space and time end, the AC completes its analysis and discovers how entropy can be reversed – and so the story concludes with a creation myth of its own, utilizing a line from the Old Testament – “And AC said, “LET THERE BE LIGHT!” And there was light –”